Art|41|Basel|16-20|6|10
Art Film 2010

Art Film 2010

 

Art Basel's week-long program of films by and about artists, curated by film scholar Marc Glöde and collector This Brunner.

Art Film | Program Art 41 Basel
Stadtkino Basel | Entry from Steinenberg 7, adjacent to the Restaurant Kunsthalle and the Campari Bar.

TUESDAY | June 15 | 10  p.m. | Total running time 78'
Second screening | Wednesday | June 16 | 10 a.m.

And This Is How The Story Goes... | Curated by Marc Glöde
Telling stories – weird, smart, abstract, straightforward, complicated... it is the never-ending fascination for the filmic narrative that connects this diverse corpus of films. In the range of different formats these works unfold the question 'What is narration?'.


01_Michaela_Meise   Michaela Meise | Lettre to the Eltern 2010/18’35'' | Johann König
   
  View

 

02_Ra_di_Martino   Rä di Martino | August 2008 2009/5’ | Monitor
   
  View

 

03_Guy_Ben_Ner   Guy Ben-Ner | If only it was as easy to banish hunger by rubbing the belly as it is to masturbate 2009/16’30’’ | Konrad Fischer Galerie
   
  View

 

04_Mario_Pfeifer   Mario Pfeifer | Untitled (Two Guys) 2008/7'30'' | Koch Oberhuber Wolff
   
  View

 

05_Korpys_Loeffler   Korpys/Löffler | Stadt von Morgen 2007/16'30'' | Meyer Riegger
   
  View

 

Sean Snyder | Casio, Seiko, Sheraton, Toyota, Mars 2004/2005/13’09’’ | Galerie Neu
Sean Snyder | Afghanistan circa 1985 2009/2’10'' | Galerie Neu

WEDNESDAY | June 16 | 10 p.m. | Total running time 71'
Second screening | Thursday | June 17 | 10 a.m.

Reference Points | Curated by Marc Glöde 
Relating to different dynamics of the world is one of the crucial interests in new film positions. This program brings together some of the most remarkable works that ask questions about the relation to the medium, about iconic figures, about historical aspects or just about the self.

Clemens von Wedemeyer | Found Footage (the Fourth Wall Project) 2009/31’ | Galerie Jocelyn Wolff
Ryan Gander | Basquiat or I can't dance to it, one day but not now, one day I will but that will be it, but you won't know and that will be it 2008/5’30’’ | gb agency

 

08_Grasso   Laurent Grasso | Satellite 2006/9’50’’ | Sean Kelly Gallery
   
  View

 

06_Faust   Jeanne Faust | Reconstructing Damon Albarn in Kinshasa 2010/9’ | Meyer Riegger
   
  View

 

 
11_Leykauf   Alexandra Leykauf | uit de bibliotheek van Wolfgang Frommelt 2009/10’40’’ |
Sassa Trülzsch
   
  View

 

 
09_Heimerdinger   Isabell Heimerdinger | Good Friends 2010/4’30’’ |
Mehdi Chouakri
   
  View

 

THURSDAY | June 17 | 10  p.m. | Total running time 61'
Second screening | Friday | June 18 | 10  a.m.

Focus Japan
| Curated by Marc Glöde in cooperation with Taka Ishii Gallery and Galerie Daniel Buchholz
This program introduces the historical Japanese film avant-garde movement of Jikken Kobo/Experimental Workshop (1951–1958). The program subsequently presents contemporary films by both Japanese and European artists in an attempt to consider the relationship and mutual influence of a lesser-known Japanese post-war aesthetic on a present generation of artists.

Katsuhiro Yamaguchi/Toshio Matsumoto | Ginrin (Bicycle in Dream) 1955/12’ | National Film Center, The National Museum of Modern Art, Tokyo
Kiyoji Otsuji | Kinecalligraph 1955/86/4’26'’ | Taka Ishii Gallery

 

10_Ishida   Takashi Ishida | Film of the Sea 2007/12’ | Taka Ishii Gallery
   
  View

 

Cerith Wyn Evans | Still Life with Phrenology Head 1979/14’ | Taka Ishii Gallery and Galerie Daniel Buchholz

 

EiArakawaPeaceBoatRevisiting   Ei Arakawa | Peaceboat Revisiting MRTA 2009/3’26’’ |
Taka Ishii Gallery
   
  View

 

Florian Pumhösl | EI335721443JP 2009/15’10'' |
Galerie Daniel Buchholz

The screening is followed by a Q&A with Japanese art critic Minoru Shimizu and Art Film curator Marc Glöde.

FRIDAY | June 18 | 10 p.m. | Total running time 73'

Second screening | Saturday | June 19 | 10  a.m.

Dark, Blurred And Diffused | Curated by Marc Glöde
Dark spaces and diffused atmospheres shape the works that this program brings together. From historical works to new approaches, these films lead us into spaces that range from the uncanny and the irritating to the abstract and the archival.

Gerhard Richter | Volker Bradke 1966/14’32'' |
Gerhard Richter Archiv Dresden
Cerith Wyn Evans | I’ve been fooled by love 2009/8'21'' |
Galerie Neu

 

15_Zielony_Sexyland   Tobias Zielony | Big Sexyland 2008/3’10’’, extract 30'' | Koch Oberhuber Wolff
   
  View

 

 
13_Zielony_Deboard   Tobias Zielony | The Deboard 2008/7’23’’, extract 30'' |
Koch Oberhuber Wolff
   
  View

 

ZimmermannNothelfer   Gabriele Zimmermann and Helmut Nothhelfer | US-Waffenschau in Berlin-West, Flughafen Tempelhof 1972/7’18’’ | Galerie Thomas Zander
   
  View

 

 

14_Wutz   Michael Wutz, Audio: Nico Glaenzel | Tales, Lies and Exaggerations 2010/9’ |
Aurel Scheibler
   
  View

 

 
07_Granat   Amy Granat | Untitled (Sabotage) 2007/8'56'' |
Galerie Eva Presenhuber
   
  View

 

 
12_OpdeBeek   Hans Op de Beeck | Extensions 2009/10’58’’ |
Galerie Krinzinger, Galleria Continua
   
  View

 

Joachim Koester | To navigate, in a genuine way, in the unknown necessitates an attitude of daring, but not one of recklessness (movements generated from the Magical Passes of Carlos Castaneda) 2009/3’30’’ | Jan Mot

SATURDAY | June 19 | 8  p.m. (sold out) | 10  p.m. | Running time 99'
Second screening | Sunday | June 20 | 10  a.m.

Women Without Men
| Curated by This Brunner
Against the tumultuous backdrop of Iran’s 1953 CIA-backed coup d’état, the destinies of four women converge in a beautiful orchard, where they find independence, solace and companionship. Acclaimed video artist Shirin Neshat makes her directorial debut with this incisive and sumptuously filmed reflection on the pivotal moment in history that directly led to the Islamic revolution and the Iran we know today.

Shirin Neshat | Women Without Men 2009/99’ |
Coproduction Office

The screening is followed by a Q&A with Shirin Neshat, moderated by the Swiss filmmaker Samir.



Art 41 Basel, Art Film Program